My work is rooted in an exploration of female identity and the notion of a feminine ideal. Through addressing the separation of female and feminine, light can be shed on the inconsistent classification of femininity. The work becomes a reflection on the recognition of “old-fashioned” ideas still relevant in contemporary society. Using materials and imagery directly related to and/or historically associated with women, I express the contradictory views related to the ever changing feminine ideal. By challenging the viewer to contemplate their preconceived notions, a lasting dialogue can be created from and relating to the work.
Every piece is strongly related to the process by which it is formed. Meaning is given to every aspect in the creation of a piece, enabling the execution to be as important, if not more significant than the final product. Constructed through tedious and repetitive processes, each object requires a calmness of mind and direct focus. Through the delicate and deliberate handling of materials, the viewer is able to acknowledge every consideration. By manipulating and restructuring the materials, the observer is challenged to question the fragility of work in question.
Every piece is strongly related to the process by which it is formed. Meaning is given to every aspect in the creation of a piece, enabling the execution to be as important, if not more significant than the final product. Constructed through tedious and repetitive processes, each object requires a calmness of mind and direct focus. Through the delicate and deliberate handling of materials, the viewer is able to acknowledge every consideration. By manipulating and restructuring the materials, the observer is challenged to question the fragility of work in question.